During the past year, whenever I would say to Cal that I had no idea what to write about, he would always say, “You can write about how wonderful I am.” Which of course isn’t a true thing about me. … Continue reading
On November 22, 1963, I was 6 years old. I would have said I was in kindergarten, but it was first grade. When the phone rang, I answered it in the small sitting room off the kitchen. I wasn’t much taller … Continue reading
While I was Assistant to the President at Davidson College during the 1978-79 school year, one of my jobs was working with the Trustees. Dean Rusk, the former Secretary of State, was a Davidson graduate as well as a Trustee. At … Continue reading
Well they’re not ruined… but that’s what it felt like at first. Right after I wrote the post yesterday, I had all my books spread out around me–on the sofa, on the floor, on the table–and I went to put … Continue reading
I can’t possibly be this old and yet I am. Resisting the truth doesn’t make me any more comfortable in my ever more freckled skin. So for the second year in a row, I’m greeting my age and giving it a great … Continue reading
On one of my birthdays, Lilli, my grandmother, wrote me a several-page letter (blue ink, a schoolteacher’s script) about the day I was born in Rapid City, South Dakota, her and my grandfather’s trip to see me, and our trip back … Continue reading
In The Writing Life, Annie Dillard wrote, I have been looking into schedules. Even when we read physics, we inquire of each least particle, What then shall I do this morning? How we spend our days is, of course, how we … Continue reading
Those of you who know me in real life know I have issues with aging—as in I couldn’t possibly be this old; this is my mother’s age. Resisting the truth is not making me any more comfortable in my crinkling … Continue reading
In Paul Auster’s latest, Winter Journal, written in the second person, he lists his 21 permanent addresses–or, acknowledging the inadequacy of the adjective, his stopping places. Enclosures, habitations, the small rooms and large rooms that have sheltered your body from the … Continue reading
To honor the memory of 9/11, Hunger Mountain publishes two pieces by writers who were both in New York City on that Tuesday in 2001: “Our New York, Too, Will Disappear,” a craft essay by Jessamine Price on Cynthia Ozick’s 1999 essay “The Synthetic … Continue reading
Christine Schutt Florida debut novel Harcourt/A Harvest Book paperback 2004 On structure echoing content: Nothing then, nothing held its shape but blew away. (52) Dear Alice, you don’t have to tell the whole story. (79) On the structure: 4 parts with … Continue reading
Thomas grounds the story of this long-ago Christmas in real details–snow and fire brigades and uncles–and yet he tells it as if it were a fairy tale.
The ending: “I said some words to the close and holy darkness, and then I slept.”
As part of a series at Douglas Glover’s Numéro Cinq, my childhood…
One I’d heard of before. Three I hadn’t. Some were free at AWP; some were not. In each one, I found something that made me glad I’d lugged it home–either connecting with the words of writers I didn’t know or finding new poems and stories by writers I did. Two of these journals have stunning covers that will make me incapable of putting them in the recycling bin even after I need the space for new ones. So two I will send to a friend. Two I will take to the local high school library. Here are some highlights from the four literary journals I brought home from Washington a few weeks ago:
Rock & Sling–a journal of witness. Published twice a year by Whitworth University in Spokane, Washington. Volume Six. Issue One. Winter 2011.
I was in the 10th grade when it first registered: I will be someone else some day…Two decades later, I fail to remember that I will be someone else, not just some day, but next year, next week, next day, next anything.
Clams hiss through pin holes a few feet down.
Poetry. A publication of the Poetry Foundation. Volume 197. Number 3. December 2010. The Q & A issue. Cover art by Sam Martine. “Faces (detail), 1997.
Charles Baxter on his poem “Some Instances” is asked if poetry is an escape from narration: “My answer is a respectful “No”…Like many fiction writers, I began my writing life as a poet, and what I sometimes miss in my own fiction is the high-velocity association of ideas and events and imagery that poetry makes possible.”
Jane Hirshfield on her poem “Sentencings” is asked about the image of “putting arms into woolen coat sleeves”: “I might, I suppose, have written a different poem, about my late sister’s coats. They are lovely. But I wrote this.”
Arroyo. Department of English, California State University, East Bay. Hayward, California. Volume 2. Spring 2010. Cover art by Jonathan Viner.
Dorothy Allison interviewed by Jacqueline Doyle. 15 pages.
Life goes so fast and we lose so much. We can barely even hang on to memory. But if you’ve got a story, a stunned moment story, that moment lives forever.
Ecotone–reimagining place. Department of Creative Writing and The Publishing Laboratory at the University of North Carolina Wilmington. 10. The sex and death issue.”Ecotone and the University of North Carolina Wilmington are proud to print this entire issue on 100 percent postconsumer fiber paper certified by the Forest Stewardship Council.”
Benjamin Percy on James Salter’s “Akhnilo”:
Suspense is the engine that drags a story forward…They [my students] misunderstand suspense, believing that it hinges exclusively on plot points, rather than on human urgency.
This story is a case study on the mystery outside the character and the urgency within…the true pull of the story comes from the desire the man feels, the desire we feel alongside him…
I support literary journals. Support art–any way you can.Crossposted at The Contrary Blog
Taking a break from the Christmas list, I wonder whether to write about the holidays, which reminds me of the first line of a Dickens novel…or whether to write about something other than the holidays. I think about what I’d like to read myself.
One of my favorite books ever is Light Years by James Salter. It was published in 1975, and I read it for the first time in 1990. One of my favorite (maybe my favorite) quotes in the book is this:
Life is weather. Life is meals. Lunches on a blue checked cloth on which salt has spilled. The smell of tobacco. Brie, yellow apples, wood-handled knives.
James Salter and his wife Kay wrote a book together that was published in 2006– Life is Meals: A Food Lover’s Book of Days. The entry for December 18th is on dining rooms. Apparently Thomas Jefferson used the State Dining Room in the White House for his office and let his pet mockingbird fly around. I remember I used to let the kids play ping-pong on our dining room table. You can still see faint ping marks.
On Sunday, in The New York Times Book Review, in the essay on the back page,”I’ve Got a Little List,” Arthur Krystal discussed literary lists. He wrote,”Isn’t every list in reality a ceremonial flourish against amnesia and chaos?”
I keep trying different systems. What I really need is one of those hats with a pole that extends out in front of it so that the current list can dangle continuously in front of my eyes…
I make lists of things as I think of them on whatever is handy (like torn-off corners of envelopes). I make more organized lists on sturdier index cards. Sometimes, I make a series of lists in a small flip notebook. Or, like yesterday, I list on a print-out of my schedule for the day–that way the list is face-up and in my face.
The “list” has literary beginnings. According to Krystal:
“List,” borrowed from the French word liste, first turns up, in the modern sense, in “Hamlet,” when Horatio reports that Fortinbras has “sharked up a list of landless resolutes”–i.e., indiscriminately put together a makeshift army.
How do you list?
In The New York Times “Sunday Book Review,” with a very cool cover by Maira Kalman, James Collins wrote the essay at the back, “The Plot Escapes Me,” on whether there’s a point to reading books when we can’t remember what’s in them. Although I do have difficulty remembering what I read, I admit this is a question I’ve never asked myself.
He consulted Maryanne Wolf, a professor of child development at Tufts University and the author of “Proust and the Squid: The Story and Science of the Reading Brain“(which I just ordered).
I recommend the essay, but we’re all busy. In what I consider to be the bottom line, Ms. Wolf said:
I totally believe that you are a different person for having read that book…I say that as a neuroscientist and an old literature major.
It is in some way working on you even though you aren’t thinking about it.
It’s there…You are the sum of it all.
I wanted to spread the good news. Keep reading.
I walk every step of what used to be the camp, of what is now Kingsland Bay State Park. Then I sit in a white Adirondack chair with my pen and paper, looking across the bord de l’eau to the Adirondacks. I bring my vision in to the flag pole cemented to the ground. The cement tells me it’s the same one that was here when I arrived for the first time in July of 1970.
Why do I want to come back? For proof I was here. For clues as to who I used to be. I just want to stay long enough to…
I think this place has something to tell me.
I was my best self here. I learned how to be myself here. It was my first time away from home for a long period of time–eight weeks that first summer, nine the others. Each summer I got closer to me.
The metal rings holding the flag clang against the pole. The water of Lake Champlain laps against the shore. People spread cloths on the picnic tables. A motor boat zooms past a large sail boat that seems to linger in the moment.
Writing about it again this morning for this post, I finally get it. It’s the continuous life. That’s why I’m here–to understand that the girl who was here in 1970 is the same woman who is here now. I’ve been tagging these posts all week with those words without seeing it.
Final post in 4-part series on Ecole Champlain: Part 1: places that call us back Part 2: hoping to discover Part 3: proof Part 4: writing my way there
“She sees that she has before her an important task: to understand that all the things that happened in her life happened to her. That she is the same person who was born, was a child, a girl, a young woman, a woman, and now she is old. That there is some line running through her body like a wick. She is the same person who was once born. All the things that happened to her happened to one person…’I’m trying to understand what it means to have had a life.’”