How We Spend Our Days: BK Loren

Annie Dillard wrote, “How we spend our days is, of course, how we spend our lives.” On the first of each month, Catching Days hosts a guest writer in the series, “How We Spend Our Days.” Today, please welcome writer BK Loren.

BK Loren

photo by Cheryl Fusco Johnson

I’m not one of those writers who is concerned with “truth and fact” in nonfiction. The master artist Degas said, “I don’t paint what I see. I paint what will enable others to see what I’ve seen.” Any further discussion about “truth” in art barely interests me. That said, I have to tell the whole truth and nothing but the truth right now: Today was one shitty day.

I won’t go into why it was a shitty day. Suffice it to say that a congregation of first world problems decided to hold church in my brain, and apparently, I agreed to put on the swishy gold choir robe, snap my fingers, and sing along with them. Stupid choice. So, as the daylight waned and any chance of getting any real work done trickled through my doubled up fists, I made another choice. I went for a walk.

I’m guessing that many folks who read my work think I live in some wild place at the foot of majestic mountains. I don’t. I live in suburbia, one house slammed right up against the next. It’s that grain of sand thing that matters, to me. Even the smallest patch of open space fills me with the same awe I feel when I walk in a National Forest. Heck, a tree in my backyard can hold my imagination for hours. Put a downy woodpecker in the tree, and I’m good for half a day of reverie. My life is like a Mary Oliver poem: formulaic and repetitive, but somehow beautiful all the same.

So about six, during the non-daylight savings dusk of November, I set out. It was a mundane walk—dark night, white sidewalks, cars passing. My destination: a pizza four miles away.


photo by BK Loren

Block one, my brain was still using my body as a battle zone. Anyone driving by would have thought I was boxing as I walked. Or not. Maybe that’s just the way I looked to myself, like Rocky jabbing at apparitions that dodged every punch.

Block two, out of breath. My body needs my brain to shut up if we’re going to continue up the next hill at this fast pace. So it wrestles my brain into submission. We walk, and right about then, I shift into present tense, because, at last, it’s okay to be where I am.

Block three, it’s November, the most graceful month, the opposite of cruel April with its habit of breeding lilacs out of dead earth. November lays those lilacs down to rest, the first blankets of snow covering them. It’s the month of grace and gratitude, beginning with a bow to our country’s veterans and ending with a day of thanks.

photo by BK Loren

photo by BK Loren

Block four, the dark suburban street becomes a pop-up forest of memories. I walk with Verne, who has not crossed my mind in decades. The sidewalk becomes the white linoleum floor of a military hospital where I visited my twelve year-old brother every day for a month. But it’s 1965, the peak of the Vietnam war, and the other beds in this barracks-style hospital are filled with wounded soldiers. My parents chide me, because I want to talk to the guys, not to my brother. I sense the men have been someplace I can’t imagine. I live on a military base, and every morning when I go to school, I am required to stop and salute the flag as it crawls up the flagpole. I know there’s a war going on, but I’m eight, and war is a word that lies flat and grey on my tongue. I know the dictionary definition, but it does nothing to make me understand why all these beds are filled with men missing arms and legs.

The guy in the bed next to my brother’s has both his legs, but they are cemented in a half-body cast. There’s a cut-out area in the cast, and a small metal cage rises up around an oozing wound. It looks like a small animal in there, blood-red, white and furry around the edges. And it has a smell to it. The caged leg belongs to a man named Verne. During the month when my brother is hospitalized, I see Verne daily. We play Rummy and Password. Verne imitates Allen Ludden (the TV host of Password) when he plays. He says, in a deep whisper, “And the password is…gallop,” and it makes me laugh. It’s our favorite game, and after about a week, I tell Verne he’s my boyfriend, and he says, “Okay,” with this huge smile that puzzles me. I sit with him on his bedside, his arm around me, and the smell of his wound crawls in my nostrils like little worms. I love that smell. It’s the smell of Verne.

Once my brother got well, I never saw Verne again. But here he is, tonight, on this street, on a day in November when my trials and tribulations are becoming more laughable with every step.

Block eight, or whatever (I’ve lost count, my brain at rest), I’m fifteen years old, a hippie kid in California. I hitchhike up and down the coast, and I “practice” walking long distances at night, because I figure this is how I’ll spend my life. I can’t dream a future for myself that includes anything other than walking the peripheries of life. I haven’t found where I fit, and so I put my thumb out, and a car pulls to the side of the road, and I hold my backpack down with one hand, run along the gravel shoulder of a busy LA highway, and I hop in. A stranger drives me to a place I’ve never been before. When I get there, I walk.


photo by BK Loren

Next block, I dip into a dark curve lining a golf course. The eight year old me, the fifteen year old me, and Verne are gone. It’s just me, walking. And this: a red fox, not in my memory, but there, on the snowy sidewalk that is, right now, beautiful. The fox looks back at me, and then he just keeps walking, same pace, as if he doesn’t see me. And the grain of sand pops open to a world I love: my world, with the suburban homes and the trivial problems that sometimes pin me against the gym mat for a silly amount of time.

When the sidewalk rises to the road again, the fox looks both ways and, like a creature more comfy on paved earth than I am, darts between cars, masterfully. I worry for him. But he knows his way. I watch him disappear into a snowy corn field, and I open the door to the pizza place. Lisa, love of my life, is standing there.

“You dope,” she says. “You walked to pick up the za?” She smiles.

With our flat cardboard box in hand, we drive home, and the heater blares, and my face and cheeks thaw out, and the fox is gone, and it was a sweet visit I had with Verne and my old self. It makes the visit I’m having with Lisa and my current life all the better—a congregation of pasts all rolled up into one huge beautifully complex Now. The arc of November: Veteran’s day through Thanksgiving. Yeah, I’ll don a swishy robe and sing along with this choir any day of the week.




1. What is the best book you’ve read in the last few months and how did you choose it?

  •  I’ve never learned my manners, so I’m going to cheat. The best novel—or at least my favorite novel—of the past few months is All The Light We Cannot See by Anthony Doerr. I chose it because I’ve read a number of Doerr’s works in the past, and I can count on him to be lyrical and substantive. All the Light We Cannot See is, I think, his most lyrical work to date, at least to my ear. I just loved it. My favorite book of poetry is Gray Matter by Sara Michas-Martin. Michas-Martin’s work very clearly embraces the classics, but is altogether new, altogether her own. I loved the references to neurology in her poems. But I also just loved the poems. She’s a master of sound and image. I selected it because I was on a panel with Sara (whom I had never met before), and I liked her presence and her mind.

2. Would you give us one little piece of writing advice?

  • One piece of writing advice. Hmmm. I’d say this: don’t listen to the people who say you have to write every day. Broaden your definition of writing. I think a writer is constantly writing. Some of the very best work is done off the page, in the random thoughts that tumble through an otherwise busy mind. Chop wood, carry water. Consider that writing. Cook, and consider that writing. Swim, and consider it writing. If you read a lot, and you are listening in your non-writing moments, then you’re doing the right work. Sometimes the daily kinetic activity of writing can stifle the very rich thoughts that come to a mind that is engaged with something other than words. Those non-writing activities are the foundation, the earth, so to speak, the fertile ground necessary for planting ideas. A field that is constantly planted never produces a rich crop.

3. What is your strangest reading or writing habit?

  • Another Hmm. Well, everything is pretty strange. The act of sitting at a keyboard trying to make images palpable using arbitrary scratches on a page is pretty strange. But I guess maybe my habit of lying underneath my desk is a little unusual. Lying in other places doesn’t produce the same effect. When I’m stuck, I lie underneath my desk with my feet propped up on my office chair. Sometimes I just fall asleep. But sometimes a great notion comes to me. And sometimes, I can come close to capturing that great notion on the page.

xBy BK Loren

Theft Animal, Mineral, Radical



Other Writers in the Series


17 thoughts on “How We Spend Our Days: BK Loren

    • Janice, Thank you for reading the blog and taking the time to respond. And thanks, also, for honoring Verne and the fox. As you likely know, these small kindnesses mean so much to a writer.


  1. I feel as if I just took a walk with BK this morning and enjoyed every step. I walk to slow down and change my perspective when I’m stuck. But this never occured to me: “When I’m stuck, I lie underneath my desk with my feet propped up on my office chair.” Hilarious, but I can’t wait to try it. Btw, the owl photos are gorgeous.


    • Hi Darrelyn,
      First off, very cool name. Secondly, it was very nice walking with you. Thanks for strolling with me. Try that under-the-desk trick and see if it works for you. It’s magic, really. You have a little self-made cubby and above you sit all your words (silent for the moment). It’s a little piece of heaven. It’s also good to keep others laughing. My partner laughs every time she walks in the room and sees me in that position. Thanks so much for reading and for taking the time to post. Enjoy being under the desk!


  2. BK Loren, I recognize that comparing one artist with another isn’t necessarily the best way to acknowledge someone, but this is the highest praise I could give, and I just realized it, reading this outstanding essay: I’ve been revisiting the writing of Judith Kitchen, who unfortunately passed away in early November, and her prose is poetry, and it’s astonishing. So is yours, and I respond to your writing the way I respond to hers: mouth (and mind) open, in disbelieving admiration and proud-of-you and proud-of-our-artform envy: How does she do this?


    • Hi praise coming from the poet and community mover and shaker, Marj Hahne. Thanks, Marj! How do we all do this? It’s just living and looking at the world, I guess. What an honor.


  3. What a fantastic post. I just love how, although we can have bad moments that have the potential to become a bad day—turn around. It is in appreciating the “now” and all we have to be grateful for that enables us to pull away from the crappy part of the day. This was SO enjoyable to read, B.K., and I SO agree with your advice, summing it up with: “A field that is constantly planted never produces a rich crop.” Thank you 🙂


  4. Hi Writers Side Up. I guess when I’m under the desk, I might be writers’ side down, looking up (hopefully). Whatever the case may be, I’m grateful for your warm response to my contribution to this blog. There are some days that are born to be crappy. Sometimes I just let them be. You know, a little dark, a little light can make a beautiful chiaroscuro. But other times, I go–“Nah, not going to let this one get me down.” So I’m glad this spoke to you and to others. It was a lovely late night stroll. And the pizza was all the tastier for it.


  5. I love this blog, Bk. Thanks for being a guest on it. I’m still rooting for a collection of your stories. AND now add to that another collection of essays. Cezanne claimed that if he got an object right, we could then see even its odor. He obsessed over each brush stroke. I doubt though he went under his easel. I take a shower when I’m stuck. Luckily this only happens once or twice a day. Something about the water beating down on my head. And the side effect is people say I smell good.


    • Cheryl, I think taking a shower would be better than lying under the desk–maybe. I’m hard pressed to give up my old stand by. Well, actually, I never will. It’s my place in the world (one of many). But when I get stuck, I just bumble around the house and my hair sticks out in every direction. I think I shower might be a welcome visitor. Thanks for the tip. And thanks for reading the post and taking the time to comment. It sounds corny every time I say it, but I mean it: It means so much to me when people take this kind of time out of their days. It makes me believe we’ll all be okay, after all.


      • No, it’s not corny. It gives me a lift every time someone comments on my posts (most posts are excerpts from the book I’m finishing). So whenever I get a new follower or a comment, I feel my words have been validated. Actually, I’m over the moon. Don’t give up crawling under your desk. Here in earthquake country that’s an invaluable skill. I might take it up.


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