the next writer in the series: february 1, 2014

A Design So Vast

In  The Writing Life, Annie Dillard wrote, I have been looking into schedules. Even when we read physics, we inquire of each least particle, What then shall I do this morning? How we spend our days is, of course, how we … Continue reading

the next writer in the series: october 1, 2013

the saddest music ever written

In  The Writing Life, Annie Dillard wrote, I have been looking into schedules. Even when we read physics, we inquire of each least particle, What then shall I do this morning? How we spend our days is, of course, how we … Continue reading

not every sentence can be great but every sentence must be good


Thrilled to have a craft essay in the new issue of Brevity, which includes fifteen brief wonderful essays by Sven Birkerts, Brian Doyle, Robin Hemley, David Jauss, Thomas Larson, and more. Plus other craft essays by Philip Graham and Mary Clearman … Continue reading

summer reading

Summer Contrary is online with new fiction, essays, and poetry, as well as reviews of these books :

Poetry: Northerners by Seth Abramson

Essays: Otherwise Known as the Human Condition by Geoff Dyer and A Journey with Two Maps by Eaven Boland

Fiction: And Yet They Were Happy by Helen Phillips, You Know When the Men Are Gone by Siobhan Fallon, and The Bird Sisters by Rebecca Rasmussen

Here’s the beginning of my review of The Bird Sisters:

When they were teenagers, Milly hoped to marry and have children, while Twiss hoped to stand on the Continental Divide and “to be the world’s most interesting spinster.” Rebecca Rasmussen’s debut novel, The Bird Sisters, opens at least half a century later with Milly and Twiss living together in the house where they grew up. Perhaps, as Twiss concludes, they just didn’t want those other things enough.

To read more…

the writing life

For the last couple of months at Hunger Mountain, Claire Guyton, former Art +Life editor, and I have been working together to expand that section of the journal into The Writing Life.

Here’s what’s up and coming at


1) ANOTHER LOOSE SALLY – Hunger Mountain’s blog about writers and writing anchored by Claire Guyton (check in every Thursday!)

~june 16: The Catch / june 9: Shape is the Thing / june 3: Envisioning Concrete Pianos /may 26: New Writing Rule

2) AUTHOR VISITS  – interviews with the Hunger Mountain contributors

3) CRAFT SHORTS & ESSAYS – large and small doses of craft (online submissions for both forms now open)

~first short: On Endings: 11 Strategies by David Jauss

~May essay: Conjuring the Magic of Story by Stephanie Friedman

4) LISTS: LITERARY & LAUNDRY – coming soon – postcards from the organizational side of the writing brain

5) WRITER, INC., debuting in September, memos from the business of the writer’s life 

6) REVIEWS GONE SIDEWAYS – coming soon – anything but your mother’s reviews.

Check us out here


stay tuned!

this won’t take but a minute, honey

If you haven’t visited the Harvard Book Store,

take a minute and pop over there.

Watch the shutters open and the store come to life.

See what books fill their front windows. Click for a close-up; double click to look inside a book. With your mouse, you can zoom in or out. Amble to the side street, just right of the two vintage-looking mail boxes. The site is almost almost as much fun as being there in person.

The Harvard Book Store is independent and has been family-owned since 1932. And green, green, green–offering same-day delivery by bike.

And they have a book-making robot–the Espresso Book Machine–nicknamed Paige. It can print a book in about 4 minutes, and you can watch. It can switch between different covers if you have more than one. It costs an author about $5.00 a book.

Steve Almond‘s book, This Won’t Take But a Minute, Honey, which is only available from Steve or from the Harvard Book Store, is created by Paige. In May of last year (I’m a touch behind writing this post), I called the bookstore, and for $9.41 + $5.00 postage, I was soon holding a copy. It’s a nice quality paperback, 6 1/2 inches by 4 1/2 inches. Turn it one way; it’s 30 stories. Turn it the other; it’s 30 essays.

I highly recommend the book. Most of the stories and essays are no longer than a page. My favorite story was

“I Want to Buy the Guy a Drink Who” 

In the dead of a scowling New York January spots my great aunt Meta on 64th and Central Park West staring doubtfully at the icy crosswalk…

Overall, I preferred the essays to the stories. In “Bullshit Detector,” he writes, “Writing is decision making.” In “POV:NBD,” he writes:

POV is nothing more than a tool, a way of getting close to the turmoil of your people.

And in “Fuck Style, Tell the Truth,” he writes:

…your artistic unconscious is about ten times more powerful as an imaginative tool than your conscious mind. But it only comes out to play when you forget yourself and focus on your people.

In the July/August 2010 Poets & Writers, Almond calls himself “Self-Publishing Steve” and explains why he chose Paige for this book of his: “smaller, more personal books should move into the world in smaller, more personal ways.”

In the Spring 2011 Third Coast, Steve gives a Craft Talk, where he is again asked about his decision to self-publish this book:

The book isn’t a commodity; it’s an artifact. And when I do a reading, if people want it, then I hand it to them, and they hand me ten bucks. It’s a really nice feeling. I’m not going to get rich off of it. That’s not the point. The point is to get the work out there, the ideas and emotions.

And about publishing literary fiction and non-fiction in general:

…the whole model of publishing is changing. There aren’t enough readers of books–certainly not enough readers of literary fiction and non-fiction–for it to be a going concern at this point. And so it feels to me like getting a corporation involved is incredibly inefficient…this is one way of doing it that makes more sense.

Oh, and the telephone number for the Harvard Book Store is 1.800.542.READ.

Cross-posted at Contrary Blog

critiques: look for doorways

I was just going through a pile of papers that was teetering precariously and found a page I had torn out from “The Care and Feeding of the Work in Progress” by Catherine M. Wallace (Writer’s Chronicle, Mar/Apr 2008).

Writing workshops generally require you to read and critique the work of others. We do this at every residency at Vermont College. My writing group exchanges manuscripts every three months.

In the article, Wallace advocates not attempting to “fix” others’ work:

…the muddled passages are usually growing edges, and my “fixing” them will stop the new growth that might have happened.

She suggests thinking about “troubles” not as problems to be fixed but rather as doorways:

Picture platform 91/2 in the Harry Potter books: it looks like a wall, but try running straight at it and see what happens.

What she suggests:

to circle the “good parts” and put question marks whenever you get lost.

Our readers’ responses are a gift, she says. I agree.